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What I Say About Me
Monday, May 12, 2014
Iris Records 45 Day Setlist - Saturday May 10, 2014
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Thursday, May 08, 2014
Primitive Sound System at Iris Records for 45 Day - Saturday May 10th
Hello Y'all,
Three minutes. That is all there should be. Less is OK too but I can feel it when a 45 is longer than three minutes. If it goes beyond three and a half it can feel like sitting in a doctor’s office waiting for your turn. Endless and anxiety filled. A 7-inch spinning at forty-five can hold up to four minutes of music with little to no sound loss but at three minutes the grooves are comfortably spaced and able to contain and project with the force of fire hose open full throttle. Whether it is as subtle as a ballad or smashing shit as the grooves leave the speakers of the best Punk can offer a forty-five is the perfect delivery system. Most forty-fives only contain one amazing song and the “other-side” is not worthy of its better half. The ones that bring it home on both sides are known as, “two-siders.” And believe me, there are a lot of them. Some of my favorites have the vocal on one side and the instrumental version on the other. Better yet, two different songs and at least one an instrumental. Sometimes I’ll hear people talk about a song and I have no idea what they are talking about because, despite owning it, I have only listened to the “other” side. When I get a new 45 I give both sides a proper listen. I’ll even listen to the “lesser” cut, as many times as I can bear just to make sure I am familiar but unfortunately as the years roll past that inferior cut is lost. The 7-inch is truly my favorite recorded format. When done properly the sound quality is better and the mix can be hotter and louder. Many record labels will take advantage of this by doing singles only mixes.
Physically the forty-five is perfect. There are two basic styles, large hole and small hole. Both styles can be found at 33 1/3 and 45 rpm formats but obviously for it to be a forty-five it must spin at 45 rpms. The 7-inch forty-five can easily be held in one hand. You can either grip the edges, if your hands are big enough, like palming a basketball or, in the case of a large-hole-forty-five, you can grip it at the center - through the hole and the outer edge. This looks cooler and allows for hand gestures while speaking to emphasize how great or how shitty a record is. LPs seem purpose built for sitting and listening. That is not to say I don’t bring LPs when I DJ, because I do. Forty-fives can be cued on the fly and are more forgiving since there usually is not a track preceding or following each cut. I have chrome forty-five spindles that I like to call, "speed loaders,” since they are pitched at the top and you can practically throw the forty-five at it and it will line itself up as it spins to the slip mat.
I have thousands of forty-fives and I love all of them. Every time I pull one from a box and play it for someone I usually hear myself say, “Uh, that’s my favorite,” or, “It is impossible for me to pick a top-ten... but if I had to that would be on it… [long pause] …in _ _ _ _ _(insert genre classification here).” I certainly have no issue with this. I can care less that I have the longest “Top-Ten List,” ever created. Ten? Ten thousand is more like it.
Obviously the music is the most important reason for a record to be my favorite but determining factors can vary greatly following the music. Sleeve and label design are pretty high on the list of determiners. Have you ever seen the cover of XTC’s “Senses Working Overtime?” It is amazing. This is easily one of my favorite New Wave “Hit Records" but the cover also makes it art. The front is a simple woodcut of a man’s face with his hands raised in the usual position one takes to play patty-cake. Normally you would say this position is the universal symbol for, “You got me,” or “I give up,” but his face is not that of a guilty man. He isn’t smiling in an ear-to-ear fashion but rather looks quite content. The paper stock is a very light gray and all the graphics and lettering are black and white. The cover is cut and folded in such a way that the record is encased inside forcing you to unfold it to play the record. From the first panel you open a photo of brightly colored birds with a painfully bright yellow border instantly strikes you. This is repeated when you fold back the other panel with the hand and ear printed on it. You can then fold back the mouth and eyes to reveal fish, flowers and fruit as brightly colored as the birds. "SEE - HEAR - SMELL - TOUCH - TASTE” "1-2-3-4-5, sense working overtime.” Simple, stunning and brilliant.
Punk Rock and New Wave definitely took the forty-five sleeve from simple images and text to new heights of creativity. Prior to that many records had sleeves, and some were very creative, but for the most part records either came in a company sleeve or a simple sleeve with no text. Company sleeves can be beautifully designed. Some company logos are as impressive as the music contained in the grooves. The early Epic sleeves combined with the bright yellow paper and black ink used to produce the label is mesmerizing. In some case the labels had images of the band or even the record company owner. James Brown included a photo of himself on the label of his Polydor releases. The image changed as he went through style and fashion changes. The forty-five format has not changed with styles or trends. It has remained perfect.
Recently Steve at Iris Records in Jersey City told me he was going to add a forty-fives only section. Let’s just say my senses were working overtime with the thoughts of newly available records to flip through. To celebrate this new section of his already great store he has asked some local DJs known for their extensive 7-inch collections to spin sets. I am filling my box with favorites of the format, favorites of different genres and some I just can’t live without. Come by, enjoy the music and pick up some forty-fives.
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters"
/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/
Iris Records
114 Brunswick Street
Between 1st & 2nd Street
Jersey City, NJ 07302
PH: (609) 468-0885
Hours: Thurs-Sun 12-8PM
THE SCHEDULE: Saturday May 10th
12 noon-1:15pm: Todd Abramson (of Maxwell’s fame)
1:15pm-2:30pm: Pat. James Longo (Primitive Sound System)
2:30pm-3:45pm: Joe McGasko (WFMU)
3:45pm-5:00pm: Pat Byrne (famed Lucky Seven DJ)
--
Pat. James Longo
http://primitivesoundsystem.blogspot.com
http://www.dustandgrooves.com/pat-james-longo-jersey-city-nj
http://www.gigposters.com/designer/26046_Pat._James_Longo.html
Three minutes. That is all there should be. Less is OK too but I can feel it when a 45 is longer than three minutes. If it goes beyond three and a half it can feel like sitting in a doctor’s office waiting for your turn. Endless and anxiety filled. A 7-inch spinning at forty-five can hold up to four minutes of music with little to no sound loss but at three minutes the grooves are comfortably spaced and able to contain and project with the force of fire hose open full throttle. Whether it is as subtle as a ballad or smashing shit as the grooves leave the speakers of the best Punk can offer a forty-five is the perfect delivery system. Most forty-fives only contain one amazing song and the “other-side” is not worthy of its better half. The ones that bring it home on both sides are known as, “two-siders.” And believe me, there are a lot of them. Some of my favorites have the vocal on one side and the instrumental version on the other. Better yet, two different songs and at least one an instrumental. Sometimes I’ll hear people talk about a song and I have no idea what they are talking about because, despite owning it, I have only listened to the “other” side. When I get a new 45 I give both sides a proper listen. I’ll even listen to the “lesser” cut, as many times as I can bear just to make sure I am familiar but unfortunately as the years roll past that inferior cut is lost. The 7-inch is truly my favorite recorded format. When done properly the sound quality is better and the mix can be hotter and louder. Many record labels will take advantage of this by doing singles only mixes.
Physically the forty-five is perfect. There are two basic styles, large hole and small hole. Both styles can be found at 33 1/3 and 45 rpm formats but obviously for it to be a forty-five it must spin at 45 rpms. The 7-inch forty-five can easily be held in one hand. You can either grip the edges, if your hands are big enough, like palming a basketball or, in the case of a large-hole-forty-five, you can grip it at the center - through the hole and the outer edge. This looks cooler and allows for hand gestures while speaking to emphasize how great or how shitty a record is. LPs seem purpose built for sitting and listening. That is not to say I don’t bring LPs when I DJ, because I do. Forty-fives can be cued on the fly and are more forgiving since there usually is not a track preceding or following each cut. I have chrome forty-five spindles that I like to call, "speed loaders,” since they are pitched at the top and you can practically throw the forty-five at it and it will line itself up as it spins to the slip mat.
I have thousands of forty-fives and I love all of them. Every time I pull one from a box and play it for someone I usually hear myself say, “Uh, that’s my favorite,” or, “It is impossible for me to pick a top-ten... but if I had to that would be on it… [long pause] …in _ _ _ _ _(insert genre classification here).” I certainly have no issue with this. I can care less that I have the longest “Top-Ten List,” ever created. Ten? Ten thousand is more like it.
Obviously the music is the most important reason for a record to be my favorite but determining factors can vary greatly following the music. Sleeve and label design are pretty high on the list of determiners. Have you ever seen the cover of XTC’s “Senses Working Overtime?” It is amazing. This is easily one of my favorite New Wave “Hit Records" but the cover also makes it art. The front is a simple woodcut of a man’s face with his hands raised in the usual position one takes to play patty-cake. Normally you would say this position is the universal symbol for, “You got me,” or “I give up,” but his face is not that of a guilty man. He isn’t smiling in an ear-to-ear fashion but rather looks quite content. The paper stock is a very light gray and all the graphics and lettering are black and white. The cover is cut and folded in such a way that the record is encased inside forcing you to unfold it to play the record. From the first panel you open a photo of brightly colored birds with a painfully bright yellow border instantly strikes you. This is repeated when you fold back the other panel with the hand and ear printed on it. You can then fold back the mouth and eyes to reveal fish, flowers and fruit as brightly colored as the birds. "SEE - HEAR - SMELL - TOUCH - TASTE” "1-2-3-4-5, sense working overtime.” Simple, stunning and brilliant.
Punk Rock and New Wave definitely took the forty-five sleeve from simple images and text to new heights of creativity. Prior to that many records had sleeves, and some were very creative, but for the most part records either came in a company sleeve or a simple sleeve with no text. Company sleeves can be beautifully designed. Some company logos are as impressive as the music contained in the grooves. The early Epic sleeves combined with the bright yellow paper and black ink used to produce the label is mesmerizing. In some case the labels had images of the band or even the record company owner. James Brown included a photo of himself on the label of his Polydor releases. The image changed as he went through style and fashion changes. The forty-five format has not changed with styles or trends. It has remained perfect.
Recently Steve at Iris Records in Jersey City told me he was going to add a forty-fives only section. Let’s just say my senses were working overtime with the thoughts of newly available records to flip through. To celebrate this new section of his already great store he has asked some local DJs known for their extensive 7-inch collections to spin sets. I am filling my box with favorites of the format, favorites of different genres and some I just can’t live without. Come by, enjoy the music and pick up some forty-fives.
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters"
/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/
Iris Records
114 Brunswick Street
Between 1st & 2nd Street
Jersey City, NJ 07302
PH: (609) 468-0885
Hours: Thurs-Sun 12-8PM
THE SCHEDULE: Saturday May 10th
12 noon-1:15pm: Todd Abramson (of Maxwell’s fame)
1:15pm-2:30pm: Pat. James Longo (Primitive Sound System)
2:30pm-3:45pm: Joe McGasko (WFMU)
3:45pm-5:00pm: Pat Byrne (famed Lucky Seven DJ)
--
Pat. James Longo
http://primitivesoundsystem.blogspot.com
http://www.dustandgrooves.com/pat-james-longo-jersey-city-nj
http://www.gigposters.com/designer/26046_Pat._James_Longo.html
Wednesday, April 23, 2014
My brother doesn’t like to go to record shows because for the most part record collectors can be rude and, for lack of a better description, just as rude to your olfactory sense. Being elbowed, pushed and uncomfortably stared at because you are “taking too long,” to look through a box is definitely an issue. I enjoy confrontation of this type with humans so I am not so put off but I can definitely understand and agree with his reasoning. Eilon Paz has done a wonderful thing with his new book, "Dust & Grooves: Adventures In Record Collecting,” he has met with his subjects in their natural habitat without the threat of other collectors to disrupt or even injure them. The photos capture each subject comfortably in their own space doing what they would most likely be doing 24-7-365 if they had no responsibilities. Collectors and DJ’s live to purchase, trade, play, stare at, discuss and flip through records. Of course there is a significant amount of ego involved, no different than a hunter and his prized kills stuffed and mounted. It is that aspect of self where the photos truly show the collectors at their proudest. The point where these vinyl discs go from an object that delivers sound to a prized object. Collecting is not about numbers. This was famously demonstrated in Nick Hornby’s novel, “High Fidelity,” when the main character, Rob, goes on a record buy. He is greeted by a woman who shows him one box of records; but inside are some of the rarest and most important releases in the history of music. She wants to give the collection away as punishment for her husband’s infidelity but knowing the genuine value and importance of such a collection Rob refuses to take the box. One box worth more than most people’s entire collections. So if not numbers, what makes a collection a collection? A collection should be a biography of the collector and Eilon illustrates this beautifully throughout the book. Each room is different and so is the means in which the records are stored and displayed. Each as different as the collectors themselves. The book doesn’t end with the photos, it is also filled with extensive interviews and tons of information. If you love music, record collecting or a good documentary make sure you pick up a copy of this book.
![]() |
DUST & GROOVES: ADVENTURES IN RECORD COLLECTING |
Thursday, February 06, 2014
Primitive Sound System at D.C's Tavern February 6, 2014 9PM to Closing featuring the Sub-Brow Art of Bryan Rackleff
Hello Y’all,
- pat.
Beauty is in the eye-of-the-beholder. That is as true a cliche as there is. BUT, this is not true when being critical. I find this especially true when discussing art and music. There is no accounting for taste and sadly some people fall far short of knowing how to recognize what is and isn’t good. It may come as a shock but there really only two kinds of art; good and bad. To complicate this even further there is “bad” art that is truly amazing. Bryan Rackleff says he makes scribbles when he gets home late at night. It may be true that he has thrown a few back with the clock long past yesterday and just hours before sunrise but, these are anything but scribbles. Believe me, I know scribbles. I have a child and I have seen all the art parents are so proud of. "It has a youthful innocence!” Scribbles. Bryan’s sub-brow art is a combination of found objects, classic low-brow iconography, flash art and a lot of skeletons and innards. They are brightly colored and yet look like they may have been drawn sixty years ago. Lucky for us, they reproduce really well and the dollar store has a shit-load of ready-made frames. Please join us at the world renowned Gallerie de Classe, located inside high-brow watering hole D.C’s Tavern. where you not only can study these magnificent blasts of creativity but buy a hand numbered and signed limited edition print… AND WAIT THERE IS MORE… each print comes encased in a shiny finished new frame. There is no way the Louvre does that!
I will bringing boxes of Punk, Hardcore, 70’s Rock!, 60’s Garage, Surf & Drag, and some Soul and Funk for when people are staggering around drunk but appear to be dancing. Your ears will be treated to some of the records I have found during my, “Filling the Gaps,” project. This includes original releases of The Undertones - “Teenage Kicks,” The Cramps, Buzzcocks “Oh Shit,” The Victims (Plan 9 7-inch re-issue), Skids - “Sweet Suburbia,” Ultravox - “Young Savages,” Urban Waste (7-inch re-issue), Jon & Lee and the Checkmates - “Batman Batusi,” and many more. I am really excited to play this set of music.
This First Thursday not only features the amazing Cocktails of John Ernst and crew but also the late night scribbles of Bryan Rackleff. The hallowed walls of D.C.'s Tavern's - Gallerie de Classe will be covered in his brightly colored Sub-Brow stylings. Skulls, skeletons, weapons (both musical and deadly), iconography past and present and all things odd-ball and freakish get committed to paper without contemplation. Bryan has also decided to adorn a limited number of Voodoo candles with his art and has asked Jess Marie a.k.a Zoey Ramone to do hand poked tattoos - http://zoeyramonetattoos.tumblr.com.
I don’t know about you but I am pretty sure D.C.’s is turning into a place I’d like to hang out.
So, stuff your pockets with cash, buy some art, get a tattoo and drink until whatever you are saying makes sense. Tip the bartenders respect the art and definitely don't feed the DJ.
SEE YA THERE!
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters" - http://primitivesoundsystem.blogspot.com
Thursday, February 6th - 9PM to Closing
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
http://www.facebook.com/pages/Hoboken-NJ/DCs-Tavern/89733686005 - Facebook Page
http://www.facebook.com/pages/Dcs-Tavern/111745052195139 - Facebook Local Business Listing
http://www.facebook.com/group.php?gid=27386563721 - Facebook Group
http://foursquare.com/venue/34395 - On Foursquare
Labels:
45's,
7-inch,
art,
art opening,
beerdos,
bryan rackleff,
D.C.'s Tavern,
First Thursday,
gallerie de classe,
jess marie,
Punk,
records,
sub brow,
vinyl rules,
zoey ram one
Tuesday, September 03, 2013
Primitive Sound System & DJ SummerLivesOn! at D.C.'s Tavern - 10PM to Closing
Hello Y'all,
Thursday, September 5th - 9PM to Closing
It seems like forever since the last time I DJ'd at D.C.'s. Since the last time I have embarked on a a project: "The Gap Sealer."
I love buying records. I love looking through records. And sometimes I love looking through piles and piles of unsorted records for hours without stopping for something to eat, drink or even a bathroom break. If you walk away someone may find that one record you were looking for. It is an obsession and could probably be classified as a disease. Unfortunately, for whatever reason, I have never made or carried around a real want list. If it was a record I knew about and really wanted I would simply remember it. This "system," left several gaps in my collection. But, since I did buy what I like and only kept what I loved; the collection did have an over-all focus. Like I have said before, every record collection should be a portrait or biography of the owner; I hope my collection is just that. Despite that, the gaps exist, and sometimes I would fall deep inside them and wonder why they existed. Some of the gaps were created at a time when I focused on Funk, Soul, R&B and Jazz purchases. At that point I needed to free up shelf and 45 box space as well as have cash to buy what I wanted. Most of the Hip Hop 12-inches went as well as a lot of Punk 45s. My rationalization for selling the 7-inches was that I had LPs by those bands and I could still enjoy their music. Same for the Hip-Hop but unfortunately I did not have as many LPs to cover all the music I needed to clear out. To this day my Hip Hop collection is definitely not what it should be. I have recently re-purchsed some of them but I don't think I will ever be able to get back or afford what I had.
Ironically the Punk records have not increased in value like other genres. My brother and I were recently joking that it is more Punk to just get the music that inspires you then own it on an OG 45 or LP. It isn't very Punk to be buying these up now but maybe this is how old Punk and Hardcore kids go through a mid-life crisis. Regardless of the reasons, the inspiration came when I had the opportunity to go through the sale boxes of my buddy Justin. Justin is know to the world as - CollectorScum (http://www.collectorscum.com). It would appear that Justin has more records to sell, than he does in his personal collection. So his philosophy is, buy collections and rare records for cheap, sell them quickly so that you have deep pockets to buy the rarest of the rare records. His collection is fucking beautiful. I have seen hundreds of collections in person and possibly thousands, if you count books and online, and I must say, none of them can compare to the focus, quality and organization of his. It is inspirational. It will also make you feel as if you have never looked through a single bin of records in your life… ever. You would be lucky to recognize, know or own even an eighth of what he has.
Fully inspired and ready to go, I sat down and wrote my first real want list. Turns out it was surprisingly easy. First off, I needed to complete my Buzzcocks and The Fall 7-inches which I sold because, as I rationalized, I had them on LP. It pained me at the time to do it and it kills me to even think about it now. Buzzcocks is now complete and I need one more Fall record. I am not a completist, I usually have a year that I cut bands off and that was true for both bands. This cut-off goes for all bands. It is no different from saying I love Star Wars, but in my world the last three don't even count, they don't exist. It is few and far between that bands can rally years after they were no longer relevant. One such band was Mission of Burma but that is a whole other story. Next came, Sham 69, Stiff Little Fingers and The Ruts. I considered these the low hanging fruit so I wasn't surprised to be able to knock them off easily. There were also items on the list that someone either stole the insert or the insert had gotten lost over the years. I still have these LPs and 45s so the priority isn't high, but i am tired of saying, "It used to have the insert." One of those is my Minor Threat "Out Of Step" with the black back cover. I bought it for $3 in a garage sale when I was in High School. The insert was a letter sized sheet, later pressings have a larger one. If you took mine, fuck you! This goes for my Adolescents LP as well. If you took that one as well, I will have to kick your ass but gladly I can say that is not replaced.
Other records on the list are ones that I never came across a copy or heard it and loved it, but never pursued it for one reason or another. I was explaining to someone recently that before computers, the internet, eBay or Discogs you were pretty much at the mercy of what was available in the bins of your local stores or any store you were lucky enough to go to. If you didn't get it locally you could contact the label and see if you could get a copy but sometimes you were just plain SOL. This would include the e.p.s by The Worst and Urban Waste. I love these records and saw the bands but never bought the records. In some cases the records were already long gone by the time I found out they even had a record available. Years passed, tastes change, and I was searching for different records and sounds. I recently went through my entire collection, carefully trimming the fat. I called up my friend Jeff who has a shop in Brooklyn (Black Gold Records - http://blackgoldbrooklyn.com) and brought them to him. With the money he gave me I immediately bought up more records on the list. I have been trimming and pruning and have some more to bring him. This project and concept has added a new dimension to collecting and since it is one I never actively pursued it has made it exciting again.
Come by Thursday night and I will be spinning a lot of these old - new finds.
The past few months I have manned the play-station all by my lonesome, but this month I will be re-joined with DJ SummerLivesOn! - aka Chuck Daly so stop by, drink some booze, tip Larry and GET HIGH!
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters"
http://primitivesoundsystem.blogspot.com
Pat. James Longo - Primitive Sound System
Chuck Daly - DJ SummerLivesOn!
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
Thursday, August 29, 2013

I am DJing a set of some of my favorite 70's Punk 7-inches at this months Open Crates event. This one is being held at The Dopeness, a new restaurant in downtown Jersey City. Due to my schedule this week, I will be spinning the first hour from 6-7. Green Verde Villaini is also taking an hour plus the usual sets of other people's records spun by the two master minds of Open Crates - Steve Royster and Andres Jimenez. VINYL RULES! - See you there.
Wednesday, June 05, 2013
Primitive Sound System and DJ DontCloseMaxwells! - D.C.'s Tavern - June 6 - 9PM to Closing
Hello Y'all,
One brief word on the closing of Maxwell's and then we can all move on, or at least I will. We started to go to Maxwell's sometime in 1982 or 1983. I don't remember the order of the shows but I remember the Bongos were the big draw to head down to Hoboken. Our Dad had been listening to FMU since it first went on the air so it wasn't that far of a stretch to think we would be at Maxwell's and in the City for shows. I am not sure where other teenagers hung-out at the time… seriously what did they do? Where did they go? But, we knew this was better than staying home and getting drunk at a friends house. This was something to du. I remember Ira and Georgia's wonderful DJ sets and backing John Klages before catching that fly ball and striking out on their own. The desire to go to Maxwell's wasn't just the bands it was a place we felt comfortable and the characters contained inside were hilarious, creepy, cool, beautiful, ugly, friendly, obnoxious, etc, etc and we felt like we should never leave. They were all like minded folks that luckily found the best possible place to be. We never really were looking to be part of a scene so we always stayed on the edges never becoming to friendly or close to many people. But, you will find that after you frequent a place for over thirty years people start to recognize you.
At one point we actually had gone to Maxwell's over fifteen nights in a row. We had started a landscaping business which meant we were up early and finished early. Long naps, some pizza and then we were off to Hoboken. If the nap was short we tried to hit Pier Platters before driving around to the other side of town and parking down by the river because even then you were lucky if you got a spot really close to the club. Our prime years were from the early 80's through the 90's so you can only imagine the bands we saw and we saw them all (except Mission of Burma). I look to my buddy Dave Gilmour (who I first took there in 1985 to see the minutemen) and my brother to clarify the lineups. I know, for the most part, what bands we saw and sometimes things stick out to help me remember the other bands on the bill. If I am real lucky, I can possibly recall the time of year. To me it has been one, big, long, endless bill… until now.
As many bands that we saw, there are a hundred times that in stories we could tell. When my hair was long Peter Buck once bought me a beer and said, "Hey, Eddie Vedder, this one's on me." Simply so he could get a laugh. Of course I said thanks, and then drank it down in one big gulp. I played my first show there with a band I was in called Love Onion and played one of the last with Hippopotamus, a band I was in for thirteen years. I DJ'd Latin, Soul and Funk there every Tuesday for six years as well as many of the Christmas parties during that time. I did some newspaper and magazine ads for the club, the first of which was for a Soul Food night. I showed my art on its walls on several occasions and began doing pieces for "Weird NJ" because of it. My son and his friend shared their third birthday in the back room. As the party was winding down Lou Barlow began loading his equipment in. At one point he sat on the stage and marveled at the kids running around. I walked over, stood next to him for a minute and he finally spoke, "I can't believe I am going to be playing a show here and I am following a kids party." There are a million more, and probably a million I can't remember. It will be missed but sometimes you just got to know when to say good-bye.
I think that was just one word, right?
Thanks to everyone who ever made Maxwell's great.
Oh yeah, for years my brother and my friend Ronny always said they saw me in this Mudhoney video. I had never seen the video until a few years back and at the 1:46 mark, don't blink, it is quick, there I is. The footage was shot at Maxwell's. What's even funnier is sometimes when you search the video, I am the thumbnail.
Mudhoney - "This Gift"
http://www.youtube.com/watch?v=-SRxWz3CDvg
/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/*/
Chuck and I will engage in our usual battle royale. Air guitars, drums, bass and any other spastic simulation we can muster will mostly be for our own entertainment. So come on by, have a cold one, two or three and do something stupid for your own amusement. Larry The Hunter will be minding the bar while you mind your own goddamn business! So be kind and tip the man, especially since there are only seconds between reloads.
I spent the this past Sunday at the always amazing Black Gold Records in Brooklyn. I picked up three very long time want list records as well as some other "must haves." I also got a care package from the good folks over at Slovenly Records and Black Gladiator Records. If there are labels putting out more consistently great Punk and Garage I have yet to find them. I am not sure what I am more impressed with; their "ear" to find such mind-numbingly great bands or the bands themselves. Who the fuck cares, just buy their records and be happy… or smash things.
Speaking of smashing things, and then I gotta go because this is the longest post ever, I picked up a copy of The Traits - "Nobody Loves The Hulk" after being tipped off by my friend John O'Toole. Not only is this one of the best Garage records ever it comes in a super sturdy hardboard cover that is silk screened on both sides. The lyrics on the back and an action shot of the Hulk about to ruin everyone's day. Contrary to the subject matter, I Love the Hulk! "HULK, SMASH HIT… RECORD!"
Come by and let your ears be entertained while you numb your body and lower your IQ.
See you there.
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters" - http://primitivesoundsystem.blogspot.com
Thursday, June 6th - 9PM to Closing
Pat. James Longo - Primitive Sound System
Chuck Daly - DJ DontCloseMaxwells!
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
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D.C.'s Tavern Record Swap
Saturday, June 22nd
Starting at 1PM
POSTER: http://www.gigposters.com/poster/161597_Primitive_Sound_System.html
* Disc Jockeys All Day
* Bring some records to trade or sell
* If you have more then a few records, stacks, or boxes - reach out to Theron (tsjammer@yahoo DOT com )and he can make sure you get some real space on the tables
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BLACK GOLD RECORDS: http://blackgoldbrooklyn.com
Tina Britt - "All The Way" (Minit Records cat. LP 24023)
The Vibrations - The Vibrations' Greatest Hits (Okeh cat. OKS 14129)
Supertramp - Indelibly Stamped (A&M cat. SP 4311)
Claus Ogerman and his Orchestra - Soul Searchin' (RCA Victor cat. LSP - 3366)
Wilmer & The Dukes - S/T (Aphrodisiac cat. APH - 6001)
The Vibrations - Taking A New Step (Good Vibes) (Mandala cat. MLP 3006 498)
Quincy Jones - They Call Me Mr. Tibbs (United Artists cat. UAS 5214)
Johnny Zamot - Tell It Like It Is (Decca cat. DL 74945)
The Fabulous Counts - Jan Jan (Cotillion cat. SD 9011)
Hank Marr - Greasy Spoon (King cat. KSD 1061)
Astaroth - Satanispiritus" b/w "Lady Of The Moon" (Unseen Forces cat. UF0004)
The Sirs - "He's A Jerk" & "Social Divorce" b/w "Insanity" & "Tight Lines Screamin' Reels" (Psychic Volt cat. PV 001)
The Sirs - "Miserable" & "Handshakes Of The Industrial Revolution" b/w "Song About Volcanoes" & "Older Sister" (Psychic Volt cat. PV 009)
Adrenalin O.D. - "Let's Barbeque" (Psychic Volt cat. PV 006)
The Soft Boys - "He's A Reptile" b/w "Song No. 4" (Midnight Music cat. DING 4)
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SLOVENLY RECORDS / BLACK GLADIATOR RECORDS: http://slovenly.com
The Hussy - "Way With Words" & "Yr Stupid" b/w "Wrong / Right" (Black Gladiator cat. BG 006)
Obnox - Record One: "Deep In The Dusk" b/w "I'm A Bug (Bugged Out)" & "Flying" Record Two: "Hang on Sloopy" & "He's Forever" (Black Gladiator cat. BG 007)
Paint Fumes - "Sally Smoked Dope" b/w "Killed By Puerto Rico" & "Ghost Highway" (Slovenly cat. 702 - 125)
Las Ardillas - "Linda Nina" b/w "La Buscare" (Slovenly cat. 702 - 129)
Mouthbreathers - "Nowhere Else To Go" b/w "MindBreathers" (Slovenly cat. 702 - 130)
Livids - "Your House or The Courthouse" & "Zilch" b/w "New Values" (Slovenly cat. 702 - 134)
Los Vigilantes - "Mi Siento Azul" b/w "Volvera" b/w "Me Imagino" (Slovenly cat. 702 - 135)
Labels:
45's,
7-inch,
bazooka joe,
black gladiator,
chuck daly,
First Thursday,
funk,
funk 45's,
Hardcore,
Larry The Hunter,
Maxwell's,
pat longo,
primitive sound system,
Punk,
records,
WFMU
Thursday, May 02, 2013
Primitive Sound System & Chuck Daly at D.C.'s Tavern - Thursday May 2 from 9:30PM to Closing
Hello Y'all,
I don't think I have been this busy in a very long time. I didn't get to do a gig drawing which bums me out but I did have time to hit some stores on Record Store Day. Many, many years ago I read that there were more songs recorded when Husker Du did the sessions for the "Statues" 7-inch. "Statues" wasn't the breakneck bulldozer that was soon to come on Land Speed Record. Ironically it leaned more towards what later became their own version of Hardcore, a more Pop or well crafted song played at double-timed speeds. I picked up "Statues" about a year after it came out and it promptly made appearances on almost every mixed tape I ever made. At one point I read that the remaining songs were to come out possibly on the B-side of a 12-inch but that never happened. Recently I read that the two songs, "Writer's Cramp," and "Let's Go Die" would finally be released by Numero Group as a 10" on Record Store Day 2013. Despite all of my dislikes for Record Store Day there was no way I was going to miss out on this release. I contacted a few local stores and both Iris Records in Jersey City and Tunes in Hoboken said they ordered the single. I queued up at Tunes at around 8:30AM and made it inside where I was able to get a copy. It certainly did not disappoint. Later that day I got to spin a set at Iris and pick up a few more things including a couple of records I have been looking for, for a long while. If Wretched Store Day is truly about your local record shop than Iris and Tunes are definitely two of my favorites.
As seems to be the routine each of these vinyl holidays, stores and patrons alike wish that the releases could be ordered and then pressed in numbers so that the actual customers that frequent the store can purchase the releases from their favorite record store. This way they wouldn't have to beat the sharks and assholes that just buy as much as they can, from as many stores as they can get to and then dump the records on eBay. I assume these are the same assholes that call records, vinyls.
I have way too many record stores that are or have been my "favorite" to list them all. I have been able to find amazing records on every vacation I have been on or touring around with my band. Anyone who ever thought vinyl was dead never really collected records or appreciated how much better analog is to digital. If you are anywhere near Hudson County make sure you stop at both Iris and Tunes. If you enjoy both White Man(n)as equally then make sure you also hit The Record King while in Hackensack. Proof of the enduring nature of the format a friend is opening a shop upstate New York in a few weeks - Clockwork Records 6 Spring St, Hastings on Hudson, NY 10706.
Larry the Hunter will keep pouring you drinks until the music stops. It's like the most dizzying game of musical chairs ever. It's been a few months since Chuck has been at the tables so this should be a good one.
See you there.
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters" - http://primitivesoundsystem.blogspot.com
Thursday, May 2nd - 9PM to Closing
Pat. James Longo - Primitive Sound System
Chuck Daly - DJ YouCan'tPutALabelOnMe
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
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Some new records…
LP's:
Nick Drake - (S/T compilation) (Island Records Ltd. cat. 3732604)
Big Star - "Nothing Can Hurt Me" (Omnivore Recordings cat. OVLP - 61 (Orange Vinyl))
The dB's - "Revolution of The Mind" (Orange Sound cat. ORA 1012 (Clr Orange Vinyl))
Karriem Riggins - "Alone Together" Record 1 & 2 (Stones Throw cat. STH 2296 & 2297)
CSC Funk Band - Funkincense" (Electric Cowbell Records cat. ECR 707)
Wyldlife - "Time Has Come To Rock & Roll"
Mary Lou Williams - "Zoning" (Mary Records Inc. cat. M103)
Golden Void - S/T (Thrill Jockey cat. THRILL 318)
Metz - S/T (Sub Pop cat. SP 1015)
45's:
Nick Cave & The Bad Seeds - "Animal X" (Kobalt Label Services cat. LC 29472 (Pic Disc))
Sir Douglas Quintet - "Interpreta en Espanol" (Smash / Mercury cat. S2 - 268)
dB's - "Picture Sleeve" b/w "Write Back" (Orange Sound cat. ORA1011)
Roky Erickson and the Aliens - "Mine, Mine, Mind" b/w "Bloody Hammer" (Light In The Attic cat. LITA 45-027 (Pink Vinyl))
JD McPherson - "Fire Bug" b/w "A Gentle Awakening" (Rounder / HiStyle cat. 1161 876-1 (Red Vinyl))
Sir Doug Espaniol
Husker Du - "Amusement" & "Statues" b/w "Writer's Cramp" & Let's Go Die" (Numero Records cat. 25764 17047)
Gil Scott-Heron and Brian Jackson - "The Bottle" b/w "Your Daddy Loves You" (Charly cat. CHARLY 115 S (Ltd Ed of 300 on Green vinyl)
Mike Watt + The Black Gang - "Rebel Girl" b/w "30 Days In The Hole" (Org Music cat. ORGM - 2001)
The Rolling Stones - "Five By Five" (ABKCO cat. 8936)
Elvis Costello - "Live at Hollywood High" ep (Record Store Day release ltd ed No. 0660)
Golden Void - "Rise to the Out of Reach" b/w "Smiling Raven" (Thrill Jockey cat. THRILL 332)
Big Star - "In The Street" b/w "When My Baby's Beside Me" (Ardent cat. ADA 2902)
Dusty Springfield - "Am I The Same Girl? (Soulful Strut)" b/w "Earthbound Gypsy" (Philips cat. 326 996BF (w/ Pic Slv))
Lyn Collins - "Mama Feelgood" b/w "Fly Me To The Moon" (People cat.PE 618)
Thursday, February 07, 2013
Primitive Sound System at D.C.'s Tavern - Thursday, February 7th - 9PM to Closing
Hello Y'all,
Sometime around 1988 - 1989 I began working at Finyl Vinyl in NYC Saturdays, Sundays and Mondays. Saturdays I worked with the owner Robert who was a character to say the least. Sundays and Mondays were pretty much my days. After a while I looked forward to Sundays like a kid looks forward to Christmas morning. Friends, DJs, collectors and customers would come in with their coffee, breakfast and a record or two (some even a box) to sample in the early hours. I got to listen to music I had never heard before and some records I have never heard since. One of the regulars was a guy named Mike Gitelson, a.k.a. Blue Note Mike. Mike's nickname is obvious and pretty much says it all. He was a huge Jazz head, especially Blue Note titles. For the most part he listened to Jazz, Dub, Soul, Funk and Hip Hop. Mike created an imaginary company called Rock Box Productions, with an obvious tip of the hat to RUN DMC. He would tell record companies, bands, clubs, etc that he was a promoter or writer or whatever and they would send him promo copies of music or put him on the list. A friend of his even made him a jacket that said Rock Box Productions on the back; more than once I witnessed people come up to him in the store and either inquire about his company or tell him that they were familiar with Rock Box. Don't you just love humans?
Mike was easily as sarcastic and annoying as I could be and he could certainly give as good as he could take. Mike came in every Sunday without fail. He would bring his parents sometimes, his sister and eventually his girlfriend who later became his wife. Mike and I talked about anything and many times we also fought about everything. No subject was off limits and his health came up quite often. He worked as a social worker and some people will remember him because he was the guy who organized the rally at the Nike store with Chuck D after some kids were shot and killed for their Dunks. The story was published in every local paper and even some magazines. To most people he probably came across as soft spoken, gentle and maybe even a bit reserved. But, I could tell if it was business and not the friendly discussions we were having I don't think I'd have faired so well. He was exactly the kind of person that you'd want as your advocate.
Mike's Dad would come in the store on a regular basis. His Dad was a huge Jazz fan and was a DJ who also promoted the shows at NYU while he was a student there. He would tell us stories about how many of the musicians would include some very unsavory demands on their riders and sometimes these things were exchanged in lieu of monetary payment. He told us that he once contacted Herbie Mann about playing at the school. He asked him what he needed and waited for a list, coke, alcohol, pills, girls, etc… but…NOPE. All Mr. Mann asked for was a private phone in a quiet room. The night of the performance he showed Herbie to the room and asked if he needed anything else. He later discovered that the phone was so that he could call his home and say goodnight to his kids and tell them that he would see them soon. Little did he know that Mike and I knew Herbie's son Geoff who was a regular at the store. Nothing could have been cooler than when we got to tell Geoff the story. Those kinds of connections were exactly what the store was all about.
Mike's wife told me he didn't have a will. The only thing he ever mentioned to her was that if anything ever happened to him that she should contact me and I'd know what to do. It took some time before I was able to get to their apartment but emotionally that may have been for the best for her and us. Going through his collection spun me back to each of the fifteen years I was at Finyl Vinyl. There were records I knew he would have, ones I sold him, others I was surprised to see. There were even records that were once mine. We found plastic bags with my name on them and even mixed CD's that I made for him. Believe me, I have cases of audio tapes and CD's that he made me as well, Rock Box Productions of course. Nothing makes me happier than going through records and as you can imagine this was not easy. The collection will be sold through Iris Records in Jersey City. I took a few records for myself and will definitely think of him every time I play them. I'll be playing some of them this Thursday ay D.C.'s.
Larry the Hunter will be pouring what you need.
See you there.
- pat.
Primitive Sound System
VINYL RULES!
Thursday, February 7th - 9PM to Closing
Pat. James Longo - Primitive Sound System
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
I'll also have many Sire Record releases for 1976 - 1978 with me.
Some of Mik's records I'll have with me:
We Got Latin Soul Vol. 2 (Caliente / FANIA cat. HOT 111)
Jackie Mittoo - Now (Studio One cat. SOL 9016)
James Brown - …Presents His Show of Tomorrow (King Records cat. 1024)
Melvin Sparks - Spark Plug (Prestige cat. 10016 (Not For Sale))
Boogaloo Joe Jones - What It Is (Prestige cat. PR 10035)
Tina Brooks - Minor Move (Blue Note Records cat. BRP 8043 (Not For Sale))
Harold Vick - Steppin' Out! (Blue Note Records cat. ST 84138 (Toshiba / Japan))
The Soul Society - Satisfaction from… (Dot Records cat. DLP - 25842)
The Afro-Latin Soultet - Wild! (Tower cat. T 5051)
45's:
Fela Ransome Kuti & The Africa '70 - "Alagbon Close" Part 1 & 2 (Editions Makossa cat. EM - 2719)
Willie Mitchell - "The Crawl" Part 1 & 2 (Hi Records cat. 45 - 2044)
Kastle - "Getting' Down (With Hoss)" b/w "Why Don't You (Do It)" (King cat. 45 - 6418)
Mongo Santamaria - Mongomania (ep) (Columbia cat. Stereo Little LP 7 - 9412)
Lavell Kamma and his Afro Soul Review - "I Know Where It's At" b/w "Soft Soul" (Tupelo Sound Records Inc. cat. 1444 - TS - 001)
Charles Spurling - "Popcorn Charlie" (King Records cat. 45 - 6267 (Promotional))
Dance The Latin Funk (Jazzman Records cat.JMAN 064)
Bumps Jackson - "Funky In Jamaica" (Alatac cat. ALA 102)
The 13th Amendment - "The Stretch" b/w Eugene Blacknell - "Getting' Down" (Soulstream / Soul Patrol Records cat. SPR 05)
Thursday, January 03, 2013
Primitive Sound System, Chuck Daly & Jake Casualty at D.C.'s Tavern - This One's Got Balls!
Hello Y'all,
My friend and long time bandmate once had a business card that read, Mark Maloof - Chug Metal Guitarist - "If Your Band Needs Balls!" It made me laugh out loud when I first saw it. If I remember correctly our friend Liz made him the card. It was definitely meant to be funny or even ironic but truth be told Mark could have made more bands than I'd like to think sound a million times better. Regardless of genre the one thing all bands need is balls. Balls to do exactly what they want to do ad not give a shit what others think. And of course, I prefer bands that could possibly cause an earthquake at the right volume. Aggression is not the same as balls. Many performers are aggressive but they don't necessarily have balls. Most performance art sucks for this reason.
The Melvins have balls. Flipper have balls. Bo Diddley has balls. Fela has balls. Miles Davis has balls. Mavis Staples has balls. Marva Whitney has balls. You get the point. I can also go into a long list of bands that don't have balls but think they have balls. But I try never to write any negative reviews and that would certainly be just that. Though that would be a great series of reviews… Attack Attack! - "Balless." Next….
For the longest time I thought Rush were balless. I don't get their music at all. Beyond all the problems that I think are obvious the sound of their records are all treble no bass. This from a band led by a bass player and a drummer who can't possibly buy enough drums to make himself sound good. Talk about overcompensating. It wasn't that I didn't listen. I tried, especially after I began playing music. Our band got lumped into the Math Rock genre and most people's Prog point of reference was Yes or Rush. I dislike both of those bands equally. About six months ago Chuck Daly - aka DJ WIthANewNameEveryTimeHeSpins - pulled the first Rush record out of his bag. Not to be rude but I had to pull the, technically this my DJ gig night and with that said… there will be ABSOLUTELY NO RUSH. I don't have many rules to listening to music and I live to hear something new. He convinced me i'd be pleasantly surprised and holy shit, he was not wrong. For the past six months it has become the most played record in my studio. For some reason or another some bands lose their balls. Oh well.
From what I know Chuck is a bit under the weather and he was supposed to bring a surprise guest. That may not be happening but I will have my big box o' band that gots balls.
See you there!
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters" - http://primitivesoundsystem.blogspot.com
Thursday, January 3rd - 9PM to Closing
Pat. James Longo - Primitive Sound System
Chuck Daly - DJ Influenza!
and special guest… Jake Casualty!
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
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Bands Them That Got Balls:
There are way too many to list so just come by and listen.
Thursday, December 06, 2012
Primitive Sound System and Chuck Daly aka DJ IveHadOneTooManyPotBrowniesThisYear! at D.C.'s Tavern Thurs Dec 6th from 9PM to Closing
Hello Y'all,
It really seems like it has been a year since we last spun at D.C.'s. Super Storm Sandy has since officially been deemed the worst storm to hit the North East ever recorded. We lost power for a four days but luckily did not have any major damage. One of my favorite record stores, Iris Records in Jersey City, was not so fortunate. The owner not only lost a storage facility of stock he lost his personal collection. I truly cannot imagine what that would be like. I have seen Steve since and I have to say he seems to have come to grips with his loss. Don't expect me to have such a quick recovery if I ever lose my collection. The last time I saw him the guys behind the Open Crates sessions moved their event to his store. I left just before 11PM and It was amazing to see so many people still shopping for records and listening to favorite tracks. I have know idea how long they went but I know it felt great to support the store and bring home some amazing records. Shop at Iris it's good for your soul.
Recently the world of vinyl experienced another storm of sorts, Record Store Day - Black Friday. As always there were a few records I wanted but very few local stores that I frequent were going to carry them or are even able to purchase enough product to participate. Pretty ironic right? Some stores that have been around for as many as 40 years are unable to be a part of Record Store Day . I called about eight places and then contacted Chip, the owner of Tunes in Hoboken, he was able to get all the releases I was interested in. Considering the toll Sandy took on Hoboken it felt great to support Tunes just a week or so after that miserable storm flooded Hoboken. The main releases I was interested in was yet another series of Captain Beefheart 45's put out by the amazing Sundazed Records. They did not disappoint.
This past year filled my collection with some records I had been looking for, for many, many years and others I had never heard of before adding them to the insanely long list known as, "One Of My Favorite Records Of All-time." My number one want list record for over twenty years was a flexi disc released in the 70's called "Herbie Hancock Plays The Rhodes Electric Piano." The record was nearly impossible to find because it is a flexi and even when I did come across one it was folded, creased or warped. I found one from a dealer in Europe and when the record came it was perfect. One of the main reasons I was so obsessed was the inclusion of the theme to "Spook Who Sat By The Door." Just weeks later I also found a copy of the ad that you would have needed to respond to if you wanted one. Pretty fucking cool.
One of the many records I picked up this year that I was not completely familiar with was by the NYC Punk band The Nothing. I had seen the record on hundreds of want lists and I know I heard it from time to time but I never knew how rare it was. I was crawling through a mess of a store in Upstate New York and The Nothing 7-inch was the first record I put on my pile. I knew it was rare but I was thinking like $50 - $60 kind-of-rare. I paid a dollar for the record and emailed my friend Justin. Little did i know we were talking about $1500 - $2100 kind-of-rare. WHOPEE!
I am not the best person to take on vacation. The first thing I think of everywhere we go is, "I have never been here, where is the record store." A used book store will do just as well. There are always records buried somewhere in a used bookstore or junk shop. Hank loves to go places and do things when we are on vacation. Going to the ocean is great but he likes to go to parks and art & science museums just as much. So this year we split our time between museums and activities for Hank and record stores for Dad… thanks Honey! We made our way from Philly to Pittsburgh and back and none of it disappointed.
One of the biggest highlights this year was meeting a true icon of the Latin Music scene. Through some perfectly timed events I got to spin Boogaloo records on This Is The Modern World with Trouble while Harvey Averne told stories about being a producer, performer and label exec through one of the coolest careers in music. Harvey is one of the nicest people I have ever met and I only wish we had about a hundred more hours to shoot the shit and spin some records. Maybe one day soon we can do it again… hello, Trouble….
In all the years I have been DJing I have never looked forward to spinning with someone more than I do each month with Chuck Daly. Chuck is like 30 or 40 years younger than me but has freakish musical knowledge long beyond his short time sucking air. Each week I learn something new about Chuck which is amazing considering how many months we have been doing this together. If he told me his was once a member of Spinal Tap I wouldn't be surprised. GET HIGH! & ROCK!!!
There are probably 5 million other things I wanted to write about but instead I am going to include an almost complete list of this years acquisitions. Yup, believe it or not, the below list is not complete.
Along with these 2012 purchases I am filling the boxes with a stack of Norton Records releases and some Christmas records.
See you there!
- pat.
Primitive Sound System
VINYL RULES!
"Audio Visual Triumphs and Disasters" - http://primitivesoundsystem.blogspot.com
Thursday, December 6th - 9PM to Closing
Pat. James Longo - Primitive Sound System
Chuck Daly - DJ IveHadOneTooManyPotBrowniesThisYear!
AND A SPECIAL GUEST…MAYBE!
D.C.'s Tavern
505 8th Street
Between Jefferson and Madison
BACK IN BACK
Hoboken, New Jersey
PH: 201-792-5550
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SOME SHIT TO CLICK:
This Is The Modern World with Trouble: Special guests Harvey Averne and Jonathan Goldman
ARCHIVE: October 9, 2012
http://wfmu.org/playlists/shows/47708
Harvey Averne:
https://www.fania.com/content/harvey-averne
The Nothing - "Uniformz"
http://www.youtube.com/watch?v=jB94L0euX9w
Herbie Flexi:
http://www.youtube.com/watch?v=ofPouDZHbTQ
Iris Records: http://irisrecordsjc.tumblr.com
Tunes - Hoboken: http://www.tunesonline.net
Norton Records: http://www.nortonrecords.com/home.php
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2012:
Melvins - "Nude With Boots" Live b/w U-Men - "Gila" (Amphetamine Reptile Noise Records cat. Scale 123 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "Dog Island" Live b/w "Cows - "Chow" (Amphetamine Reptile Noise Records cat. Scale 124 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "Dies Iraea" Live b/w Killdozer - "Lupus" (Amphetamine Reptile Noise Records cat. Scale 126 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "Civilized Worm" Live b/w OFF! - "No Reason To Complain" (Amphetamine Reptile Noise Records cat. Scale 127 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "Eye Flys" b/w Butthole Surfers - "Pittsburg To Lebanon," "No Rule," & "Gary Floyd" (Amphetamine Reptile Noise Records cat. Scale 129 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "Kicking Machine" b/w Midwest Hardcore: Die Kreuzen - "In School," Necros - "IQ32," & Negative Approach - "Sick of Talk" (Amphetamine Reptile Noise Records cat. Scale 130 (Sugar Daddy Live Split Series / color vinyl))
Melvins - "The Bulls & The Bees" (Amphetamine Reptile Records cat. AmRep 088 (Color Vinyl - Yellow and Orange Burst))
Baker Brothers - "The Young Patter" (Record Kicks cat. RK45 045) [4.99]
Cathy Edgar - "Soul Sister" (Imagenes) (7") - IMAGENES 015 - [4.99]
REV RA YATES/THE GOSPEL COMMUNICATORS: Tight Situation (Soul Full New Zealand) (7") - SF 001LTD300 - [8.33]
SOIL & PIMP SESSIONS: Pop Korn (Brownswood UK) (10") - BWOOD 043 - [4.58]
ZAINICHI FUNK/ROY/THE BAWDIES: Escape (P-Vine Japan) (7") - JS7S 026 - [10.83]
The Police - "Nothing Achieving" b/w Fall Out" (Illegal Records cat. IL 0017)
Merriettes - “Here Comes The Batmobile” / “The Battiest Car Around” (“Batman Record” BT 97) (Artwork PS)
Bert Kaempfert - "Caravan"
Dan & Dale – Sensational Guitars of Dan & Dale Play Batman (Tifton S-78002, 1966) (BAD SHAPE)
Dan & Dale – Sensational Guitars of Dan & Dale Play Batman (Tifton S-78002, 1966) (VG+ SHAPE)
Neil Hefti - “Batman Theme” / “Batman Chase” (RCA Victor 47-8755) (Art PS)
The Camps - "The Ballad of Batman" b/w "Batmobile" (Parkway P-974, 1966 (company sleeve))
Diamonds - Walkin The Stroll
Bob Kuban & The In-Men - "Batman Theme" b/w "You Better Run - You Better Hide" (Musicland U.S.A. cat. MUSICLAND 20.017)
Duane Eddy - The Biggest Twang of Them All (Reprise R 6218 (promo 1966))
Sun Ra - "I'm Gonna Unmask The Batman" / "The Perfect Man" (Saturn cat. "none")
Rocky & The Riddlers - “Batman” / “Flash and Crash” (Panorama 28 (re-Issue))
Nashville Five - “Batman Theme” / “Husbands and Wives” by Paul Tabor (Hit 243, 1966)
Jan & Dean Meet The Batman
Herbie Hancock Demonstrates The Rhodes - 1974 Flexi Disc
Herbie Hancock - Print Ad
Butch Baker - "Batman At The Go Go" b/w "Robin At The Go Go" (St Lawrence Records cat. 1010)
Wade Denning and the Port Washingtons - "The Amazing TV Themes of The Green Hornet, Tarzan, Batman, etc…" (Metro-Goldwyn-Mayer's Leo The Lion Records cat. CH-1023)
Washington Dead Cats - Batman / Cat Woman" (Eurobond / Justin cat. JD EUR 460 232)
Sandy Nelson - In Beat (Imperial cat. LP 9305)
Tarzan / The Green Hornet/Batman and Robin / Flash Gordon (Design Records cat. DLP-257)
Jimmy Bowen Orchestra and Chorus - "Sunday Morning Comics" (Reprise Records cat. RS 6210)
Batman Television Soundtrack cassette
Bobby Valentine - Aqui Esta La Salsa (Batman)
Scotty McKay and his Orchestra - "Her Comes Batman" b/w "All Around The World" (Claridge Records cat. CR - 309 (Radio Station Copy))
Merriettes / Tony Eira - "Look Out For The Batman" b/w "It's The Batman" (Synthetic Plastics Company Newark, N.J. U.S.A. cat. BT 95 (Shaped Picture Sleeve))
Botellita De Jerez - Abuelita de Batman (Polydor cat. (Mexican Maxi 12")
Burgess Meredith - “The Capture” / The Escape” (ABC-Paramount or also just ABC 45-10798, 1966)
Camps - Ballad of Batman b/w Batmobile (BAD SHAPE)
Kentucky Fried Chicken - Have a Barrel of Fun
The Invisible Burgundy Bullfrog - "Batman Rides Again" b/w "Cry Me A River" (Panther Records cat. PAN 4331)
The Panicks - "I Can Beat Him Up" b/w "Playin' Games" (20th Century -Fox Records cat. 639 (Promotional Copy / Plug Side)
Thor-Ables - "Batman and Robin" b/w "My Reckless Heart" (Titanic Records cat. TI-1002 (Not For Sale (Re-issue)))
De Maskers - "Batman-Theme" b/w "The Saint" (Artone cat. DS 25.376)
Buzzcocks - I Don't Mind / Autonomy
Wilmer & The Dukes - Living In the USA
Jean King - Sings For The In-Crowd
Les Hou-Lops - "Batman" b/w "Everything Alright" (Apex cat. DISQUE NO. 13436)
The Avengers - "The Batman Theme" b/w "Back Side Blues" (M.G.M cat. K13465 (Special Disc Jockey Record / Not For Sale (Yellow Lbl Promo)))
Vintage Recod Case
Grey Metal Record Case
Plasmatics - Butcher Baby
Material One Down
Gene Vincent - "Race With The Devil" b/w "Gonna Back Up Baby" (Capitol cat. F3530)
Al Caiola - "Eight On The Lam" b/w "Sailor From Gibraltar" (United Artists cat. UA 50159 (Not For Sale / Promotion Copy))
Slade - "Mam Weer All Crazee Now" b/w "Man Who Speeks Evil" (Polydor cat. PD - 15053)
Slade - "Gudbuy T' Jane" b/w "I Won't Let It 'Appen Agen" (Polydor cat. PD - 15060)
Humble Pie - "Ninety-Nine Pounds" Mono b/w Stereo (A&M cat. 1530 (Promotion Copy - Not For Sale))
Ringo Starr - "Back Off Boogaloo" b/w "Blindman" (Apple cat. 1849)
Roky Erickson - "Mine Mine Mind" & "Click Your Fingers, Applauding The Play" b/w "Two Headed Dog" and "I Have Always Been Here Before" (Sponge cat. SPEP - 101 (Green color cover - 2nd Pressing))
Buzzcocks - "Promises" b/w "Lipstick" (United Artists cat. UP 36471)
Chelsea - "Right To Work" b/w "The Loner" (Step Forward cat. 2)
999 - "I'm Alive" b/w "Quite Disappointing" (Labritain cat. LAB 999)
The Jam - "In The City" b/w "Takin' My Love" (Polydor cat. 2058 866)
The Jam - "The Modern World" b/w "Sweet Soul Music" and Back In My Arms Again" (Polydor cat. 2058 945)
Girlschool - "C'Mon Let's Go" b/w "Tonight" and "Demolition Boys" (Bronze cat. BROX 126 (10" vinyl))
Jimi Hendrix - "Birth of Success" (MFP cat. MFP 50053)
Sam The Sham & The Pharaohs - "Li'l Red Riding Hood" (MGM Records cat. E/SE - 4407)
Blues Magoos - "Psychedelic Lollipop" (Mercury Records cat. MG 21096)
Johnny Kidd & The Pirates - "The Best of…" (EMI cat. NUTM 12 (Mono))
Mugwump Establishment - I Can't Keep From Cryin
Little Richard - The Girl Can't Help It
The Five Keys - Ling Ting Tong
Bo Diddley - Diddy Wah Diddy
Ray Charles - Greenback b/w Blackjack
The Terrifics - Loco
Ross Carnegie - Cool Dad
Mick Jagger - Memo From Turner
Husker Du - "Celebrated Summer" b/w "New Day Rising" from the forthcoming LP "NEW DAY RISING" [SST 031] (SST cat. SST E31 (printed sleeve and insert))
Captain Beefheart And His Magic Band - "Plastic Factory" b/w "Where There's Woman" (Buddah Records / Sundazed cat. S 255 (Record Store Day / Black Friday 2012))
Captain Beefheart And His Magic Band - "Abba Zaba" b/w "Yellow Brick Road" (Buddah Records / Sundazed cat. S 254 (Record Store Day / Black Friday 2012))
Captain Beefheart And His Magic Band - "Upon The My-O-My" b/w "I Got Love On My Mind" (Mercury Records / Sundazed cat. S 261 (Record Store Day / Black Friday 2012))
The Rolling Stones - "You Better Move On," & "Poison Ivy" b/w "Bye Bye Johnny," & "Money" (Abkco Music & Records / Decca cat. 8909 - 1 (Record Store Day / Black Friday 2012))
Link Wray and the Raymen - "Big City After Dark," & "Hold It" b/w "Dance Party Pt. 1 & 2" (Mala / Sundazed cat. S 252 (Advanced Copy / Record Store Day / Black Friday 2012))
Mothers of Invention - "Why Don'tcha Do Me Right?" b/w "Big Leg Emma" (Barking Pumpkin Records cat. BPR 1221 (Record Store Day / Black Friday 2012))
Jeff The Brotherhood - "Dark Energy" Album Version b/w Tristen Vocal (Warner Bros. cat. 532780 - 7 (Record Store Day / Black Friday 2012))
Tomahawk - "Stone Letter" (Ipecac Recordings cat. IPC 141 (Etched Sided / Record Store Day / Black Friday 2012))
The White Stripes - "Fell In Love With A Girl" b/w "I Just Don't Know What To Do With Myself" (Third Man Records cat. TMR - 169 (Red Vinyl / (Record Store Day / Black Friday 2012))
Captain Beefheart And His Magic Band - "Diddy Wah Diddy," & " " b/w " " (Buddah Records / Sundazed cat. ??? (Record Store Day 2012))
The Upsetters - Blackboard Jungle Dub (Clocktower Records / Get On Down cat. GET 56005 - 10 (10' Box Set))
Willie West and The High Society Bros. - "Cold In The Storm" b/w "She's So Wise" (Timmion Records Inc. cat. Timmion # 028 (D.J. Copy))
Juhani - "Bigger Vat" b/w "Suurempi Sammio" (Timmion Records cat. # 020 (with company sleeve)
Nicole Willis and The Soul Investigators - "Tell Me When (We Can Start Our Love Thing Once Again)" b/w "It's All Because of You" (Timmion Records cat. # 029 (with company sleeve)
Nicole Willis and The Soul Investigators - "Tell Me When (We Can Start Our Love Thing Once Again)" b/w "It's All Because of You" (Timmion Records cat. # 029 (White Label Promo))
Thee Midniters - "Jump, Jive and Harmonize" b/w "Thee Midnite Feeling" (Norton Records cat. 45 - 874)
Esquerita - "Hittin' On Nothing" b/w "Letter Full of Tears" (Norton Records cat. 45 - 170)
Flat Duo Jets - "I'll Have A Merry Christmas Without You" b/w "Caravan" (Norton Records cat. 45 - 031)
Hasil Adkins - "Big Red Satellite" b/w ""Ellen Marie" (Norton Records cat. 45 - 002)
Hasil Adkins - "Haze's House Party" - "Dottie Dottie," & "Sex Crazy Baby" b/w "Do The Hot Pants With Me," & "She'll Be Comin' Round The Mountain" (Norton Records cat. 45 - 001)
Lee Fields - Ladies (45 edit, 45 edit inst) (pic cover)
Orquesta Tropicana/Sonora Tropical - Tequila/Lluvia (with download) (reissue) (NOTE: Limited edition of 1000 copies -- with bonus download card!)
Hi-Fi White - Bulldog (pts 1 & 2)
Bob & Gene - It's Not What You Know (It's Who You Know)/These Lonely Nights (pic cover, reissue) (NOTE: Comes in a great pic sleeve, too!)
Dave & Ansell Collins - Double Barrel (voc, inst)
Green Berets - Lord Send Me Somebody/We Must Make Things Right
Sharon Jones & The Dap Kings - He Said I Can/It Hurts To Be Alone
Menahan Street Band - Crossing/Every Day A Dream
Wolfman Jack/Debbie Sabusawa - Free Shots/Something For Nothing (NOTE: Promo copy.)
Lou Rawls - Life That I Lead/Trouble Down Here Below (NOTE: Promo in a Capitol sleeve.)
Sunnyland Slim - Got A Thing Going On/See My Lawyer
Panics - Discotheque Dance Party
Wax Poetics - Issue #50 -- Winter 2012
Solomon Burke - Fight Back/We're Almost Home
Solomon Burke - I Got To Tell It/Love's Street & Fool's Road
Impressions - Fool For You/I'm Loving Nothing (pic cover)
Nolan Strong - Since You're Gone/What You Gonna Do
David T Walker - Watch Out, Dynamite/Baby I Need Your Loving
Sonny Boy Williamson - Keep It To Yourself/The Key To Your Door
Damn Sam The Miracle Man - Hard Times/Smash (part 2)
Spanglish Fly - Me Gusta Mi Bicicleta/Po-Po
Muddy Waters - My Dog Can't Bark/I Got A Rich Man's Woman
Wonder Who (Four Seasons) - Don't Think Twice/Sassy (pic cover)
Velvet Underground - Live 1969
Hall & Oates - Whole Oats
Faruk Green - Faith/You Should Know/The Insane Busdriver (pic cover)
Moms Mabley - It's Your Thing/He's Got The Whole World In His Hands
Bad Religion - How Could Hell Be Any Worse - (NOTE: Second pressing. Includes lyric poster.)
CSC Funk Band - Little Weight/A Little Planet (limited 2012 Record Store Day release) (pic cover) (NOTE: Limited to 500 copies.)
Pussy Galore - Feel Good About Your Body EP -- Die Bitch/HC Rebellion/Constant Pain/Car Fantasy (limited 2012 Record Store Day release) (pic cover, reissue) (NOTE: Limited to 1500 copies.)
Quantic & Alice Russell - Look Around The Corner/I'll Keep My Light In My Window (limited 2012 Record Store Day release)
Dr John - Locked Down (plus CD) (limited 2012 Record Store Day release)
Hayvanlar Alemi - Yekermo Sew/Cakal Caz (pic cover)
Bill Thomas - Southern Fried Chicken (parts 1 & 2)
Beastie Boys - Hot Sauce Committee Part 2 (180 gram pressing) (NOTE: Includes a digital download, a bonus 7 inch with "B Boys In The Cut " & "Pop Your Balloon" & an iron on!)
Chuck Barris & The Gong Show Symphony - Theme From Gene Gene/Lovee's Come Back (NOTE: Promo pressing.)
Leon Haywood - 1 2 3/Soul On
Evel Knievel - Ballad Of Evel Knievel/Why (NOTE: Promo pressing.)
Little Walter - Flying Saucer/One More Chance With You (NOTE: Gold label pressing.)
Oh No & MF Doom - 3 Dollars (voc, inst) (5 inch single) (pic cover)
Vibrations - Feel So Bad/Cave Man
Diazpora - Non Sports/Kate
Vernon Garrett - Don't Do What I Do/Satisfying Woman Satisfying Man (NOTE: Limited pressing of 300 copies.)
Hollywood Persuaders - Drums A-Go-Go/Agua Caliente
Roland Kirk - Mystical Dream/Once In Awhile
On The Spot Trio - Suction/Critically Acclaimed Sh*t
Os Magrelos & Magrela Rose - Luz Negra/Seja Como For/Canada Drive
Wax Poetics - Issue #51 -- Nas/Danny Brown Cover
Jungle Fire - Comencemos (Let's Start)/Tokuta
Orquesta El Macabeo - El Sueno/Cogiendo Pon
Nina Simone - To Be Young, Gifted & Black/Save Me
JC Brooks & The Uptown Sound - I Got High/River (pic cover) (NOTE: Hand-numbered limited edition of 500 copies.)
Alice Cooper - Eighteen/Body (NOTE: White label promo. Label has a small sticker.)
Explosive Dynamiks - Whole Lotta Loving/I Need You (reissue) (NOTE: Limited to 400 copies.)
Hot Sauce - I'll Kill A Brick (About My Man) (mono, stereo)
Kai Winding - More -- Theme From Mondo Cane (7 inch jukebox EP) (pic cover)
Various - African Music Today (7 inch EP) (pic cover)
Baltimore & Ohio Marching Band - Baltimore & Ohio Marching Band Plays Music From The Comics
Hal Blaine - Deuces, T's, Roadsters, & Drums (NOTE: Mono pressing. Spine has one spot of old tape and a small rip. Back cover has WGN Library letters.)
Willie Bobo - Kojak Theme (mono, stereo) (NOTE: Promo. Label has a small sticker.)
Timo Lassy - Teddy The Sweeper/Where's The Man
Prince James Trio - My Romance/Chicago Style
Soul Clan - Soul Meeting/That's How It Feels
Astro Notes - Rocket To The Moon/Your Cheatin Heart
Count Basie - Watermelon Man/My Kind Of Town (NOTE: Yellow label promo. Label has a small sticker.)
Book Of Matches - Bad Times Good Times/Song For Kimberly (NOTE: White label promo. Label has a small sticker.)
Crabby Appleton - Grab On/Can't Live My Life (NOTE: White label promo. Label has a small sticker.)
Bill Doggett - Wow! (7 inch jukebox EP) (pic cover)
Johnny Hartman - Voice That Is (7" jukebox EP) (NOTE: Cool jukebox EP! Includes jukebox title cards and small images of cover!)
Albert Jones/Tom Newton - Vida Blue (2 versions)
Little Apples - Santa's Ride/Phroomf
Soul Surfers - Soul Surf/Tornado
Nolan Strong & The Diablos - Mambo Of Love/Can't We Talk This Over
Tim, Gary, & Romeo - 777/Sex Machine
Charles Brown - Please Come Home For Christmas/Merry Christmas Baby (NOTE: 80s pressing.)
Dave Dudley - Truck Drivin' Son-Of-A-Gun/I Got Lost (NOTE: Label has a promo stamp.)
Duane Eddy - Caravan (part 1) (double a-side single)
Exports - Car Hop/Seat Belts Please
Rawhide - Evel Kneivel/Torrance (NOTE: Promo. Label has a small sticker.)
Rays - Moo-Goo-Gai-Pan/Tippity Top
Various - GED Soul Records Presents Super Soul Christmas (includes download) (pic cover) (NOTE: Limited numbered edition of 500 copies -- with bonus download card too!)
The Munx - "Girls, Girls, Girls" b/w "Our Dream" (Clevetown Records cat. CTXP 400)
The Dovells - "Dragster on The Prowl" b/w "Be My Girl (New Version)" (Parkway Records cat. P - 901 (DJ Copy Not For Sale))
The Vibrations - "Soul A-Go-Go" b/w "And I Love Her" (Okeh cat. 4 - 7257 (Not For Sale / Radio Station Copy))
Hank Ballard And The Midnighters - "(Dance With Me) Annie" b/w "He Came Along" (King cat. 45 - 6055 (Promotional))
Hank Ballard Along with "The Dapps" - "How You Gonna Get Respect" b/w "Teardrops On Your Letter" (King cat. 45 - 6196 (Promotional))
Baby Washington - "White Christmas" b/w "Silent Night" (Veep cat. V - 1274 (Promotional Copy / Not For Sale / PLUG SIDE))
Al Wilson - "The Snake" b/w "Getting Ready For Tomorrow" (Soul City cat. 767)
Curtis Mayfield - Roots (Curtom Records cat. CRS 8009 (with calendar))
Avec Les Rythmaires - Twist A La Facon De Rosita Et Deno (Trans Canada Music Co. cat. TC - A - 57)
The Capitols - We Got A Thing (Atco / Karen Records Series cat. 33 - 201 (some water damage on back))
The Sugarman 3 - What The World Needs Now (Daptone Records cat. DAP - 026 (Monaural))
Charles Bradley - "Stay Away" b/w "Menahan Street Band - "Run It Back" (Dunham Records cat. DUN 111) - 2 Copies
The Nothing - "Uniformz" b/w "Scream 'N' Cry" (Wide A Wake Musik / Novadisk cat. TSO 1)
Victimz - "I Don't Want To Go To Class Today" b/w "Skin" (Police Force Records cat. 85451) - 3 Copies
Jack Ward - "Treat Her Right" b/w "A Very Hurt Man" (Starday Records cat. 45-935)
Pat Travers Band - "Boom Boom (Out Go The Lights)" b/w "Go All Night" (Polydor cat PD 2003)
Huey (Piano) Smith And The Clowns - "Don't You Just Know It" b/w "High Blood Pressure" (Ace Records cat. 545)
The Isley Brothers - "Twist And Shout" b/w "Spanish Twist" (Wand cat. 124)
Freddie Scott - "Hey, Girl" b/w "The Slide" (Coplix Records cat. CP 692)
Nilsson - "Everybody's Talkin'" b/w "Rainmaker" (RCA Victor cat. 74-0161)
Three Dog Night - "Feeling Alright" b/w "Celebrate" (Dunhill / ABC Records cat. 45-4229)
Eddie "Lockjaw" Davis - "Santa Claus Is Coming To Town" b/w "Christmas Song" (Prestige cat. 45-186)
Lloyd Glenn - "Tiddly-Winks" b/w "Sunrise" (Aladdin cat. 45-3307)
The Incredible Bongo Band - "Bongolia" b/w "Bongo Rock" (Pride cat. PR 1015)
Carl Carlton - "She's A Bad Mama Jama (She's Built, She's Stacked)" b/w "Baby, I Need Your Loving" (RCA cat. GB - 13484 (Gold Standard))
Joe Cuba Sextet - "Bang!, Bang!" b/w "Push, Push, Push" (Tico cat. T-475)
The Stylistics - "People Make The World Go Round" Long Version b/w Short Version (Avco cat. AV - 4595)
Chuck Brown & The Soul Searchers - "Bustin' Loose" Part 1 & 2 (Source cat. SOR 40967)
The Boys In The Band - "Sumpin Heavy" (Spring Records cat. SPR 103)
Sly & The Family Stone - "Thank You - Falettinme Be Mice Elf Agin" b/w "Everybody Is a Star" (Epic cat. 5-10555)
Freda Payne - "Unhooked Generation" b/w "Deeper & Deeper" (Invictus cat. Is 9080)
Dickie Goodman - "Mr. President" b/w "Popularity" (Rainy Wednesday Records cat. RW 207)
Richie Hoffman - "Unnatural Woman" b/w "Seven Years" (Orange Records cat. OR 7006)
Walt Disney presents The Jungle Book (A Disneyland Record and Book cat. LLP - 319)
Rudolph & The Gang - "Here Comes Fatty Clause" b/w "Comink Zee Clauski Fattnik" (Yultide cat. 7234)
Patti Smith Group - "(So You Want To Be) A Rock & Roll Star" b/w "5-4-3-2-1" (Arista cat. AS 0453)
Patti Smith Group - Dancing Barefoot" b/w "5-4-3-2-1" (Arista cat. ARIST 281 (UK))
Patti Smith Group - "Frederick." b/w "Fire Of Unknown Origin" (Arista cat. ARIST 264 (UK))
The Police - "Message In A Bottle" b/w "Landlord (live)" (A&M Records cat. AM - 2190 (Poster Sleeve))
The Medallions - "Buick 59" and "Coupe De Ville Baby" b/w "The Letter" and Mary Lou" (Dootone Records cat. EP - 202 (paper sleeve))
Gene Vincent - "Race With The Devil" b/w "Gonna Back Up Baby" (Capitol cat. F3530)
The Sir Douglas Band - "Texas Tornado" Mono / Stereo (Atlantic cat. 45-2985 (Promotional Copy / Plug Side))
Southwest F.O.B. - "Smell of Incense" (HIP cat. HIA - 8002 (wht lbl / plug side))
Willie Mitchell - "Willie Mitchell's Driving Beat" (Hi Records cat. HL 12029)
Lou Reed - "Vicious". (RCA cat. DJHO 0054 (Not For Sale))
Dub Narcotic Disco Plate - "Fuck Shit Up" b/w "Version". (K cat. DBN 102)
Chris Spedding - "Get Outa My Pagoda" b/w "Hey Miss Betty". (RAK cat. RAK 261)
Marvin Gaye - "The World is Rated X". (Tamla cat 1836tF (For Promotional Use Only / Not For Sale))
Huey Smith and the Clowns - "Pop-Eye" b/w "Scald-Dog". (Ace Records cat. 649)
Joe Bennett and the Sparkletones - "What The Heck" b/w "Boys Do Cry". (Paris cat. 45 - 537)
Chris Columbo - "Summertime" b/w "Minerology". (Strand cat. 25056)
Dogmatics - "Gimme The Shakes" b/w "20 Flight Rock". (Cat Records cat. Cat #001)
The Police - "Can't Stand Losing You" b/w "Dead End Job". (A&M Records cat. AMS 7391)
Horror Rock Classics (Rhino Records cat. RNDF 281)
Vibrations - New Vibrations. (OKeh cat. OKM 12114)
Mongo Santamaria - La Bamba (Columbia cat. CL 2375)
Jack Costanzo - Bongo Fever! (Sunset cat. SUN 1134)
The Big Sounds of the Drags! (Capitol cat. ST 2001)
Solomon Burke - Cool Breeze. (MGM Records cat. 1SE - 35ST) Sealed
Mary Lou Williams - "Piano Panorama" (Atlantic cat. LP 114)
Video All-Stars - "TV Jazz Themes" (Somerset cat. ALBUM SF - 8800)
Jim Tyler and Orchestra - TWIST (Time Records cat. S / 2053)
Jimi Hendrix - "No Such Animal" Part 1 & 2 (Audio Fidelity Records cat. AF 167 (Pic Sleeve))
Bo Diddley - The 20th Anniversary of Rock'N'Roll (RCA cat. APL1 - 1229)
James Brown - James Brown Plays The New Breed (The Boo-Ga-Loo) (Smash cat. MGS 27080 (Full Color Portrait of James Brown Suitable For Framing Included Inside))
The Moroccos - "Red Hots And Chili Mac" b/w "Somewhere Over The Rainbow" (United cat. U-193)
Bobby Marchan - "Chickee Wah Wah" b/w "Give A Helping Hand" (Gale cat. 4M - 101)
The Atlantics - "Bombora" b/w "Greensleeves" (Columbia cat. 4-42877 (Not For Sale / Radio Staion Copy))
The Contrails - "Mummy Walk (Walking Death)" b/w …Vocal by Dick & Jack "Someone" (Diamond Records Inc. cat. D-213)
Kid King's Combo - "Banana Split" b/w "Skip's Boogie" (Excello Records cat. 45-2009)
Gene Ludwig - "The Vamp" b/w "Deep Purple" (Travis Records cat. TR - 033)
Bobby Davis & The Rhythm Rockers - "Get Wit It" b/w "The Monkey Shout" (Vest cat. 8003)
Little Joey Vespe - "Caravan" b/w "Conservative Twist" (Parkway Records cat. P-877 (D.J.Copy / Not For Sale))
Sugar Pie De Santo - "Slip In Mules (No High Heel Sneakers)" b/w "Mr. & Mrs." (Checker cat. 1073)
The Blendells - "LA LA LA LA LA" b/w "Huggie's Bunnies" (Reprise Records cat. 0291)
Cold Blood - "You Got Me Hummin'" b/w "If You Will" (San Francisco cat. SF - 18117 (Plug Side / Wht Lbl Promo))
David "Baby" Cortez - "Inflation" b/w "Feels Like The World" (T-Neck cat. TN 925)
Jerry O - "Afro-Twist Time (Um-Gow-Wow)" b/w "Dance What Cha Wana" (Shout cat. S - 228)
Johnnie And Jack - "YEAH" b/w "I've Seen This Movie Before" (RCA Victor cat. 47 - 7246)
The Pentagons - "Down At The Beach" b/w "To Be Loved (Forever)" (Donna cat. 1337)
Bob Kuban And The In-Men - "The Cheater" b/w "Try Me Baby" (Musicland U.S.A. cat. MUSICLAND 20,001)
Billy Larkin And The Delegates - "Hold On! I'm A Comin'" b/w "Dirty Water" (World Pacific cat. WP - 77844 (Audition Record / DJ)
The Brother Jack McDuff Quintet with David Newman - "But It's Alright" b/w "Sunny" (Atlantic cat. 45 - 2488 (Plug Side))
Willie Mitchell - "Aw Shucks" b/w "Slipin' & Slidin'" (Hi cat. 45 - 2125 (For Demonstration Use Only / Not For Sale))
Sandy Nelson - "Sock It To Em J.B." b/w "The Charge" (Imperial Records cat. 66193)
Steve Allen - "The Disc-Jockey's Theme Song" b/w "Gotta Have Something In The Bank, Frank" (Coral cat. 9 - 61877)
Johnny Lytle - "The Man" b/w "Big Bill" (Constellation Records cat. C - 145)
The Busters - "Bust Out" b/w "Astronaut's" (Aelen (of Philadelphia) cat. 735)
The Five Blobs - "The Blob" b/w "Saturday Night in Tiajuana" (Columbia cat. 4 - 41250)
The Wailers - "Roadrunner" b/w "Tall Cool One" (Golden Crest Records cat. CR - 518)
The Rip Chords - "Hey Little Cobra" b/w "The Queen" (Columbia cat. 4 - 42921)
Chris Kenner - "I like It, Like That" Part 1 & 2 (Instant Records cat. VR - 3229)
Born Bad - Volume One (Born Bad Records cat. BB001)
Born Bad - Volume Two (Born Bad Records cat. BB002)
Various Artists - "Battle of the Groups" (End cat. LP 305)
The Stingers - "Guitars A Go Go" (Crown Records cat. CLP 5476)
Capitol Records LP insert "Hot Rod Jargon"
Slayer - Reign In Blood (Def Jam cat. GHS 24131 (water damage back cover))
Ramones - It's Alive (Sire cat. SRK2 6074 (UK Pressing))
American Standard - Wonderland (Power House Records cat. 002 - 1)
Rush (Anthem cat. ANR - 1 - 1001)
Claus Ogerman and His Orchestra - Watusi Trumpets (RCA Victor cat. LPM - 3455)
Various Artists - Titty Twist a Go Go (no label cat. TITTY 69)
Toga - "More" (Private Stock Records cat. PS 45.065 Disco (10" - "For Disco DJ's Only"))
"Duel At Diablo" - United Artists presents… Radio Spot Announcements (10")
Mary Lou Williams - ""Piano Panorama" (Atlantic cat. LP 114 (10")
--
Pat. James Longo
http://primitivesoundsystem.blogspot.com
http://www.gigposters.com/designer/26046_Pat._James_Longo.html
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